Let me give you some easy progressions that will help you in your improvisational piano!
What is a progression?
A progression is a series of chords played consecutively. In general, subsequent agreements in a chord progression share some notes, which provides continuity for a balanced and straightforward way.
What is a II-VI progression?
It is a chord progression with three chords built on the roots of touch second, fifth and first of a button.
The three RomanThe data for the numbers 2, 5 and 1 match. In its simplest form, the figures give the root of a triad. For example, the Roman numeral I mean in C-major triad built from the note C. This triad consists of the notes C, E and G.
The Roman numeral II, in the key of C major will tell you play the notes of a triad in the C major scale, constructed from the second note. The notes are D, F and A are
The Roman numeral V indicates a triad built on the fifth stepScale of Gd. The fifth note of the C scale is G so the triad contains the notes G, B and D is
Piano tab notation
To demonstrate the agreements are a notation for article sites. First look at the C. The middle C note in the middle of the keyboard, sometimes called the hole a couple of pianos main C4.
The number 4 indicates that the C on the fourth octave of the piano. Of course, there are piano keys keyboard with less and lessOctaves. In this case, you must think of C4 as middle C and nothing else.
Our first piano chord progression
You start playing a chord progression with the triad built on the second note, fifth and first on the C scale
LH: D3 RH: D4 F4 A4 (Dm)
LH: RH G3: G4 B4 D5 (G major)
LH: RH C3: C4 E4 G4 (C major)
As you might suspect LH means left hand chords Dm and D3 indicates that the note is played on the piano or D3 with the leftHand at the same time as you play the notes right hand.
II-VI progression in C major is a bit 'awkward. You have to move your finger a little 'too much to play chords. We put the G major chord and play a little 'progression as follows:
LH: D3 RH: D4 F4 A4 (Dm)
LH: G3 RH: B3 D4 G4 (G major)
LH: RH C3: C4 E4 G4 (C major)
To smooth the transitions between the piano strings in the II-VI progression, the agreements can beeven more. We try to change the DM11 to the Dm chord and G-major to G7.
LH: D3 RH: C4 F4 G4 (DM11)
LH: G3 RH: B3 F4 G4 (G7)
LH: RH C3: C4 E4 G4 (C major)
We could change the C-major according to Cmaj7 to smooth the changes.
LH: D3 RH: C4 F4 G4 (DM11)
LH: G3 RH: B3 F4 G4 (G7)
LH: RH C3: B3 E4 G4 (Cmaj7)
Finally, we provide an alternate arrangement of G. Actually called tritone substitution.
This means that instead of a GChord we will use a deal with the root of a tritone interval G to that for three whole steps. Instead of playing G Db 11.
LH: D3 RH: C4 F4 G4 (DM11)
LH: Db3 RH: B3 F4 G4 (Db +11)
LH: RH C3: B3 E4 G4 (Cmaj7)
Thus, the exchange agreement is still fluid, especially the bass, and perhaps even more interesting. You can use this formula, which means playing in the key of C, Dm, G7 and C, to find many interesting variations on this theme.
There will be a great helpImprovisation piano in good working knowledge of II-VI Progression and Variations in different keys, because this progression is used in a variety of musical styles.
